Chicago Artists Month!

Today we received the exciting news that Literature Emitting Diodes is included as an official exhibition/installation for the 2015 Chicago Artists Month.

We have yet to announce the featured writer or location of the piece, since we are still accepting submissions. We will announce that information on this site, our Facebook page, and the Chicago Artists Month list of exhibitions as soon as we have selected our October writer. We are still accepting submissions for October until September 5th, so send in your work for a chance to have your writing in the Chicago Artists Month!

The above link to the list of projects will take you to a long and inspiring list of exhibitions. Here’s our profile in case you couldn’t find it in the list.

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“I am solar” at The Armadillo’s Pillow

Here are a few shots of Eric Shoemaker’s poem, I am solar at The Armadillo’s Pillow in Rogers Park. We will be going back to document the installation further, but the dynamic reflections combined with the goings on within the store certainly made for a fun photography challenge.

You have three weeks to view this piece, so stop on by and share your own photos with us using the hashtag #ledpubchi

August’s Installation at The Armadillo’s Pillow

Our August publication, I am solar by Chicago writer Eric Shoemaker, is up and running at The Armadillo’s Pillow. Shoemaker suggested that his piece reside somewhere in Rogers Park, and we were elated when one of our favorite bookstores agreed to host our LED display. The Armadillo’s Pillow always features excellent window displays, so we are especially proud to be included.

You can come by and read I am solar anytime, but if you want to browse through a great selection of used and uncommon books, as well as art, jewelry, and even coffee (!) then you should stop in during store hours:
Sun-Fri: 12:00-8:00PM
Sat: 10:00-8:00PM

The Armadillo’s Pillow is located just North of Loyola at:
6753 N Sheridan Rd.
Chicago, IL 60626
Click here for a map.

Please stop in to support local writers, artists and business. We are very grateful for The Armadillo’s Pillow’s partnership and proud to present this exceptional poem.

August’s LED Writer!

We are pleased to announce that our second featured author is Robert Shoemaker. His poem, “I am solar”, will be displayed on our scrolling LED display for the month of August. We are excited to finalize its location in the coming days so we can share this excellent poem with readers in Chicago!

Robert Eric Shoemaker is a Chicago based poet-playwright, director, and arts journalist. Eric was awarded the 2014 Olga and Paul Menn Foundation Prize for Best Play for his musical PLATH/HUGHES, as well as a 2015 DCASE Individual Artist Program grant from the City of Chicago for his project “LORCA IN AMERICA”. In addition to making theatre, Eric is an arts journalist and poet published in Newcity, Evanston Now, Rollick Magazine, the Chicago After Dark Anthology, and the Pulitzer Center on Crisis Reporting. Eric is the current Artistic Director of Poetry Is. Productions. For more information, visit reshoemaker.com.

Congratulations, Eric!

1. July. “Aubrey Graham” by Surabhi Kanga

I think my hands are older than the rest of my body. They are wrinkled in strange places, as if all the corrosion from a decade of nicotine rests carefully between the tips of my fingers and my bony wrist. They’re crooked too, with the age of a small, old woman that I sometimes think is me. A soul as old as the tree in my mother’s backyard, and just as bent. As old as the crack in the china cup from my favorite tea set, with the little pink flowers and gold lines. A tiny river, flowing weakly down the side of the little handle, branching off into smaller estuaries. Rivers accompanied by forests of stubbed cigarettes and broken marriages. I took that tea set against my mother’s wishes, after she was far too… gone, I should say. I brought it home and put a kettle on. I stood and watched the water boil, the tea leaves morbidly dancing, the leaking color making it look like the heat was draining their life force, when in fact they had been dead a long time. The fumes made spirals; my hair stood on end from the moisture and the anticipation. I stood there long after the smell of eucalyptus leaves had faded from the memory of the air.

Drake played softly, ironically in the background.

Before Drake, I always felt uneasy with the way people found themselves in artists, in people they had never met, that they couldn’t know. I never understood it. I stood in front of canvases and surrounded myself with words, but I couldn’t hear myself think. I spent years trying to breathe. And then one day, I found him, gleaming through the banality of internet radio. He sang, but I heard only serene water washing over hot coal. Drake can make anything sound like a love ballad. Drake finds love in the lipstick stains on a glass as often as he finds it in body glitter and metal poles; he finds love and doesn’t put it on a pedestal. I imagine we would sit in the booth of a diner with red leather seats and not talk. We would lower our eyes in the harsh white light, we wouldn’t speak for fear of not being able to rise above the cacophony of happiness around us. We would eat apple pie, drink coffee, and not finish either. He would sign the checks not Drake but Aubrey, and it would make me want to smile. We would keep coming back to the same diner. I would never have to say it, but he would know it was because there was a little pink and gold flower on the corner of their menus. And he would never order the tea even though he loved it.

Our Installation Process

Our first installation went as smoothly as we could have hoped, and we even managed to snap a few photos of the process. We devised a portable frame for the LED display so we could take advantage of the storefront’s elevated window and avoid mounting anything in the ceiling. Our friends at Knee Deep Vintage were very accommodating, and the whole process took less than two hours.

Almost all of that time was programming Kanga’s piece, Aubrey Graham, into the display. We did this with a remote control, one letter at a time! Though slow, the process is fitting for Literature Emitting Diodes. The project investigates the impact of constraints on literature, for writers, readers, and publishers alike. Just as the writers are limited to 500 words, and the readers are constrained to the scrolling speed of the display, so are we publishers held to the limitations of the process.

Part of our fascination with limitations in art and literature is with their relative nature. Surely a remote controller is slower than a computer keyboard, but what about other methods still used by small presses? The slow pace and disorienting experience of only seeing a few characters at a time reminded us of setting metal type for letterpress printing. With so many contrasts between these two publishing media, their common ground as a generative constraint is one of the reasons we are so excited to see this project progress!

“Aubrey Graham” by Surabhi Kanga

We are thrilled to share some documentation of our inaugural publication, Aubrey Graham by Surabhi Kanga.

We first photographed our LED display as soon as the text was programmed.  Knee Deep Vintage was still bustling with Friday afternoon shoppers and Literature Emitting Diodes was just one among many elements in the storefront. Competing and collaborating with graffiti, posters, reflections and more, LED calls attention to the rich layers of language that inhabit the urban environment.

At dusk, the context changes. The LEDs glow brighter and the writing reads differently though, of course, the text has not changed. The writing scrolls on by, as it will do thousands of times before the end of July, unaware of the constant changes around it. Every reader will have a different experience, as we do each time we return to photograph the installation.

We hope our readers find this as exciting as we do, and we would be happy to share photos and videos taken by our readers as they experience the piece in their own respective ways.