Chicago Hostel ft. “A Hug From a Large Man for a Long Time, part VI”

We certainly found a visible place for Amanda Beekhuizen’s piece. We had to keep our first round of documentation short because of the cold, but not too short to see plenty of passers by slow down on their daily commutes and make some time for literature.

The covered location makes this installation especially easy to read during the day, so we’ll be going back for more photographs soon. In the meantime, we are pleased to know that the phrase “I am a burrito” is streaming across that little screen hundreds of times each day (but you should really come read the rest of it to find out how that fits within a very beautiful poem).

January’s Writer

Happy New Year to our readers! We are celebrating the end of 2015 and the start of 2016 with the writing of Amanda Beekhuizen. Her prose poem, A Hug From a Large Man for a Long Time, part VI, will be up and running on January 4th at the H.I. Chicago Hostel.

Amanda Beekhuizen is an artist, bookmaker, and educator based in Tucson, Arizona. She earned an MFA in Craft at the Oregon College of Art and Craft in Portland, Oregon, in 2015, and a BFA in Studio Art and a BA in English at the University of Arizona in Tucson, Arizona, in 2010. She has taught at Yavapai College, the University of Arizona Poetry Center, and at the Tucson Community Print Shop.

While she primarily works in the form of the book, she is equally concerned with the content of the books and their physical form. The content is generated through writing (mostly short vignettes about everyday occurrences that gather meaning when grouped together), action and documentation of that action (engaging in repeated action or building sculpture and interacting with it to make photographs and videos that later turn up in books), and a craft-based creative practice (an example of this: How would I embed a rock into a book? What would it mean?). Ultimately, her process is one of creating meaning through making.

Congratulations, Amanda!

6. December. “The Dragon Imelda” by Cecilia Pinto

 

Jacob had lived so long in the darkness with the Dragon Imelda that he thought nothing of the slightly sulfurous, fishy scent that accompanied her.

This was a home he accepted as he accepted the drip, drip, drip of distant water and the gentle drift of filtered light from somewhere far above.

His days were spent in pursuit of his studies. He was a maker of maps, routes of travel, measuring the darkness, the distance between here and there. Although he didn’t know where there was, and he didn’t yet know why he needed to know how to go.

When Jacob was a child, the Dragon Imelda began bedtime stories with, “Once upon a time, a lost prince…”

One night he asked, “Am I the prince?”

“You are the treasure,” she said.

He leaned his warm forehead against her cool, gray shoulder and with his finger traced a winding path along her varied scales.

Bending towards him she said, “You are my treasure, to protect and keep safe.”

“In the story,” he asked, “do I die?” He could feel her hot breath on his neck.

“No,” she said, “I do.”

“The Dragon Imelda” at Genesis Art Supply

Earlier today we installed our December publication, The Dragon Imelda, by Cecilia Pinto at Genesis Art Supply. (Then we spent a fair amount of time walking around and look at art supplies!)

Don’t worry if you’re not an artist, Cecilia’s short story is well worth the trip, and it will be up in the front window for the next 3 weeks!

Please enjoy these photos from earlier this evening.

December Installation at Genesis Art Supply

At long last we can announce that we will wrap the year up at Genesis Art Supply!

For those of you who aren’t familiar, Genesis Art Supply is a local business now located on Elston, just West of Damen. They’re also the brick and mortar store behind artsupply.com. They’re the place to go for airbrush supplies especially, but they have a nice selection for all sorts of art-making.

Beginning Sunday, Cecilia Pinto’s Piece, The Dragon Imelda, will be up for about 3 weeks. You’ll have plenty of time to catch it as you do your holiday shopping for the artists in your life.

Genesis Art Supply is located at .
Click here for a map.

Their hours are as follows:
Monday-Friday 9:00-8:00Saturday 9:00-7:00
Sunday 10:00-6:00

December’s Writer

We are pleased to announce that our December writer is Cecilia Pinto, who will be sharing her prose piece, The Dragon Imelda. We will be installing her work this weekend. We will announce the location on our site very soon, so make sure to check back.

In the meantime, congratulations to Cecilia!

Cecilia Pinto is a writer working in various genres and have published fiction, poetry and non-fiction. She is a graduate of the writing program at the School of the Art Institute and teaches writing at the Chicago High School for the Arts.

5. November. “Fallopianode” by Racquel Malone

If I never have a daughter/ these child bearing hips will sink into old womanhood, maybe never missing what they never had

If she never shows up/ I won’t wallow neither will I rejoice/there is no real loss or gain

If I never have a daughter/the leaves will still fall every October and I will still drink warm whiskey in black tea and think of you

My own mother stands in front of me and doesn’t see me/only the brown infant she birthed in mid-July

and I may never know what she means by that

I may never honor my sister by giving my daughter her middle name

I may never understand labor pain

If I never have a daughter/I can never feel the trouble of her toothache or diaper rash

I can never be held liable for waiting too long to take her to the ER; I’ve enough guilt of my own

My niece will cry out for me and I will still turn away; still ill-equipped and on the run, unable to soothe her deeply

She will want for me to stay, to be around at bed time and all I can offer is cheap sweets and weak promises

Tomorrow, next winter, soon/ Like the Easter bunny or Claus/ I am reliable but unnecessary

If I never have a daughter/ my belly will grow fat, not from housing new life, but from carbohydrates and Chinese food

The moon will continue to guide me through life/ I’ll be forever in its lunar prowess/ daughter or not, I’m woman still

Winters from now when the air is dry and grey/I’ll hum a daughter-less tune and wait for all my ghosts to come out and dance

4. October. “Execution Points” by Emily Parenti

On summer Saturdays it was grass gymnastics—

routines on pretend apparatus,

flips without a spring floor.

It hurt pounding prepubescent ankles and wrists

into unforgiving dirt without plushy mat cushion,

but this was the sweet spot between character and penance,

and there was instinct even then to focus training there.

I had makeshift drills:

dive-roll over lawn chairs or table-topped sisters,

cartwheel over jump ropes held a few feet off the ground.

But it was hard to get amplitude,

as the judges would call it.

I couldn’t elevate off backyard soil.

Coaches told me “mind over matter,” so I pretended

my sore foot made me Kerri Strug

and the wind-waving skin on our corner birch

was the encouraging hand of a Karolyi.

I told myself just one spotless handspring

and you’ll wear the laurels like Carly in Athens.

But I stayed heavy and clumsy until I abandoned my Olympians

and refigured myself as a Jesse White Tumbler.

I’d adjust my white suspenders on an all red outfit,

lug thin panel mats into the center lane of a stopped parade.

I’d run through warm-up sequences with my teammates

and give no thought to form.

Our handstands were bent-kneed and arch-backed,

no shoulder stretch or tucked-in chin.

But when it came time for the difficult skills,

we erupted without effort.

Saltos suspended for three mississippis;

four-trick passes stretched to six or seven.

Unlike the chalk-covered leotard-wearer

who gets height with hard arm swings toward the rafters,

with grimaces and repetitions,

with tight, hollow-bodied, upward shoves,

we lift simply from the chest.

We initiate flips with our sternums,

which cannot squeeze or strain.

We will our centers into the sky with inevitable velocity—

aortas magnetized to the tops of skyscrapers,

ribcages buoyed on Chicago smog.

And with all that energy concentrated at the heart,

our faces have no choice but to stay calm,

our limbs no choice but to swing light.

We float easy above our families and futures,

suspend over dirty cement.

And when we land we’re not judged but applauded

by kids on the curb with sticky hands

and melted chocolate on their shirts

and not even a faint awareness

of deduction or injury.

November’s Installation at Uptown Bikes

On November 1st we will be installing Racquel Malone’s poem, FallopianOde, at Uptown Bikes.

We are so happy to have found a great partner in the neighborhood that Malone requested, and a location that is so easy to get to! We are also proud to partner with a women-owned business to present this particular poem.

Uptown Bikes is right across the street from the Wilson Red Line stop, and only a few blocks from the Lawrence stop.

Uptown Bike’s address is 4653 N Broadway St, Chicago, IL 60640.
Click here for a map.

No doubt many of you already know Uptown Bikes for their reliable repairs, good bikes, and loads of accessories. Now you can add poetry to that list!

Check back here soon for photos, but don’t miss your chance to see the real thing!

Uptown Bikes’ hours are:
Mon-Tues-Thur-Fri: 11AM-7PM
Sat-Sun: 11AM-5PM
Wed:Closed